VORGESTELLTE WERKE IN BÜCHERN UND KATALOGEN
2023
Paul, Christiane, Digital Art, Thames and Hudson World of Art. London. 4th edition, Pp 122-124 (Beyond Manzanar); pp 129-133 (Manifest.AR, Shades of Absence: Public Voids), pp 133-135 (Unexpected Growth).
Scorzin. Pamela. "Tamiko Thiel," KUNSTFORUM International, Vol. 290 "Mixed Realities," July, pp 106-125.
2022
Findlay, Michael. The Value of Art: Money, Power, Beauty, 2nd edition, Prestel, 08 Nov, pp. 257-8.
2021
Robertson, Jean & McDaniel, Craig. Themes of Contemporary Art: Visual Art after 1980. Oxford University Press, pp. 335 – 337.
2020
Sauerländer, Tina. "Über Tamiko Thiel." I Love Women Artists: zum 100-jährigen jubiläum der Erstzulassung von Frauen an deutschen kunstakademien, Bianca Kennedy and Janine Machkenroth, ed.One hundred women curators, gallerists and collectors write about 100 women artists in Germany.
Fedorova, Ksenia. Tactics of Interfacing: Encoding Affect in Art and Technology, MIT Press. Essay on my work, pp. 228-230, 234, 237-238, 240.
2019
"Strange Growth" augmented reality artwork (with /p) published in VECTOR artist book, Guest Editor Birthe Blauth, Managing Editors, Peter Gregorio and Javier Barrios. Book launch at Kunstverein Munich.
“Water Lily Invasion” (p.11) and “Unexpected Growth” (with /p, p.18), Convergence: How The World Will Be Painted With Data, Editor Charlie Fink, Convergence Press.
2017
"Artwork: Tamiko Thiel," Augmented Reality: Innovative Perspectives across Art, Industry, and Academia, Morey,Sean and Tinnell, John, Ed. Parlor Press, Anderson, SC, USA, pp. 271-275.
2016
Paul, Christiane. "Augmented Realities: Digital Art in the Public Sphere," in A Companion to Public Art(Blackwell Companions to Art History), Knight, Cher Krause, and Senie, Harriet F., ed., pp. 218-219.
Gsöllpointner K. et al. Digital Synesthesia. A Model for the Aesthetics of Digital Art. Berlin/Bosten: De Gruyter.
Achtelik, Anna. "Interrogating the Sublime: Reconstructions," Transdiscourse 2: Turbulence and Reconstruction, Editor Jill Scott, De Gruyter, Berlin, pp. 158-161.
2015
Paul, Christiane. Digital Art, 3rd edition, Thames & Hudson World of Art series, London, pp. 130-131, 238-240.
Uradomo-Barre, Stacey. CONSTRUCT\S exhibition catalog, WING LUKE MUSEUM / SMITHSONIAN INSTITUTION AFFILIATE, Seattle, USA, pp. 26 – 33.
Sabapathy, T.K. and Lim, Michelle. ADM 10th Anniversary Faculty Show "Beyond the Horizon" Catalog, Nanyang Technological University Dept. of Arts, Design and Media (NTU ADM), Singapore, pp. 266-267.
2013
Aceti, Lanfranco, Rinehart, Richard, and Sahin, Ozden, ed. “Not Here Not There” Part 2. Leonardo Electronic Almanac, Volume 19 Issue 2. Pages 5, 17-18, 24-25, 118-119, 210-219.
Lodi, Simona. “Illegal Art and Other Stories,”Unlike Us Reader. Social Media Monopolies and Their Alternatives, Ed. Geert Lovink, Miriam Rash, Amsterdam: Institute of Network Cultures, 2013, pp 250-251.
2010
Lieser, Wolf. The World of Digital Art (large format hardcover), Ullman/Tandem Verlag, Königswinter, Germany.
2009
Gessner, Ingrid. "Moving Beyond Manzanar: Transnationalizing Japanese American Internment Experiences." Virtually American? Denationalizing North American Studies. Ed. Mita Banerjee. Heidelberg, 2009. pp77-96.
Lieser, Wolf. Digital Art (Art Pocket Series), Ullman/Tandem Verlag, Königswinter, Germany, pp 104-105.
2007
Smith, Matthew. The Total Work of Art: From Bayreuth to Cyberspace, Routledge, NY, 2007, pp 180-186.
Gessner, Ingrid. From Sites of Memory to Cybersights: (Re)Framing Japanese American Experiences, Universitätsverlag Winter, pp. 90-106.
2003
Paul, Christiane. Digital Art, 1st edition, Thames & Hudson World of Art series, London, pp. 130-132.